Nikon Raises The Resolution Bar With D800

Nikon raises the resolution to 36.3-megapixels in the D800 and D800E

Nikon is raising the bar on resolution and video by fielding two new cameras the D800 and D800E, both boasting an unusually large 36-megapixel image. That would make the D800 the first in the Nikon DSLR line to challenge resolution formerly only available in medium format cameras.

That will mean 7360 x 4912 resolution RAW images that are over 70MB in size, while processed TIFF files will be over 212 MB. The files are so big Nikon decided to add USB 3.0 support to the camera.

At the core the D800 and D800E both start with a full frame, FX-format, 35.9 x 24 mm CMOS 36.3-megapixel sensor backed by Nikon’s Expeed 3 image processor. The imaging system incorporates the latest 91,000-pixel 3D Color Matrix Metering III and Advanced Scene Recognition System, coupled with an improved 51-point AF system that promises lightning fast response.

The D800 also promises minimal noise under variable lighting conditions, with a native ISO range of 100-6400, expandable to 25,600 and will output 16-bit images. Coupled with the image processing is a 91,000-pixel RGB sensor for its Advanced Scene Recognition system, which can accurately detect human faces, and recognize scene colors and brightness, according to Nikon.

Back of the D800 shows a clean layout and full size LCD screen

While recent camera models have included upgraded video specs to make them competitive with Canon cameras, the D800 is the first that aggressively attacks the video market. The D800 boasts manual exposure and audio controls in video mode and 1080p recording at 30, 25 and 24 fps, coupled with a built-in optical filter with anti-aliasing properties. Nikon also claims users can also send full uncompressed video out via HDMI as the video is being captured. It remains to be seen whether that promise delivers on the set, but could be a huge upgrade for filmmakers.

The D800E model is basically the same camera without the anti-aliasing filter and is aimed at studio and commercial photographers who may be less concerned about moire and more concerned with maximum detail.

The D800 will be priced more competitively with the Canon 5D MK II with the D800 being offered at $2,999.95 and the D800E at $3,299.95.

For a long time Nikon seemed reluctant to battle for the DSLR video market, but with the introduction of the D800, it’s on now as Nikon fields a camera worthy of both studio photographers and professional videographers.

The upgraded video specs in the D800 will certainly appeal to filmmakers

More Info At:

Nikon USA

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