Following are some photos that caught my eye, especially since they were taken with a tiny point and shoot rather than a big DSLR.
- f/3.5
- 28mm
- 1/100s
- 80 ISO
Ghosts by alexbrn. The color and light in this photo are really unique, nice eye to catch that.
- f/2.8
- 35mm
- 1/40s
- 500 ISO
Heaven by aurĂ©lien. Concerts present a challenge because they’re so dark, but the lighting is also an opportunity for photos like this. The photographer took the shot at 1/40s (almost as slow as you’d want to go hand-held), risking blur, and even with a slow shutter speed like that needed to use a relatively wide aperture of f/2.8 and higher than normal ISO of 500 to get a good exposure.
- f/2.0
- 28mm
- 1/320s
- 80 ISO
New Grass by koocbor. Notice how only the grass in the front is in focus, and everything in the background is blurred. The photographer achieved this narrow depth of field using two techniques: a wide aperture of f/2.0 (only available on a few cameras), and by getting close to his subject while keeping the background distant.
- f/2.0
- 28mm
- 1/30s
- 200 ISO
Escalator by tetradtx. The perspective in this photo really draws you in. Again, another low light shot, taken without a flash. The photographer used a wide aperture again of f/2.0, and a slow shutter speed of 1/30s to get a good exposure. The photo is very sharp, impressive if they didn’t use a tripod. The shot was taken at 28mm, which although isn’t as wide as some cameras is still fairly wide and is responsible for creating the wide-angle perspective you see.
Learn more at Snapsort
- Check out the Canon Powershot S90 in detail
- Learn more about other pro digicams like the S90
- Explore other cameras with wide apertures
- Discover how to use ISO and wide apertures to avoid blur in low light conditions