Giving Back Through Photography

photograph of poor family
You can use photography to help others and draw attention to the plight of the less fortunate

There are many opportunities for photographers to get involved helping others. It’s a great way to gain experience, add to your portfolio, and give back at the same time.

You’ll find there are a lot of ways to lend your artistic expertise to charities and aid your fellow man.  And a few of them will fund worthy projects with grants and awards.

Here are just a few ways you can help.

Help-Portrait

Started by celebrity photographer Jeremy Cowart, Help-Portrait is a community of photographers using their photography skills to help people in their local area by making professional portraits available those who wouldn’t normally couldn’t afford such services.

Help-Portraits can be a tool to help job hunters, the homeless, or drawing attention to the plight of the needy. It’s your chance to do something you love for the benefit of others less fortunate.

Collective Lens

Collective Lens is a 501(c)3 organization that promotes social change through visual awareness. They let the photographer pick the cause and anyone can upload photos.

At Collective Lens you’ll find photo essays on poverty, disease, famine and other weighty issues.

Photo Philanthropy

Photo Philanthropy takes a slightly different tact by lining up photographers with worthy causes and non-profit entities working for social change.

This organizations sponsors the PhotoPhilanthropy Activist Award every year that provides a platform for photo essays, and also awards cash prizes to non-profits and photographers throughout the year.

Blue Earth

Promotes conservation photography to deliver striking images of endangered animals and environments.

Blue Earth accepts proposals and funds the projects most in line with their mission statement. With the deadline for submission coming up in January, 2012, this would a good time think about a proposal if you have an idea.

Boudoir Photography Basics

Boudoir photography can be rewarding but take time to learn the business first - By Kate Sharp

One of the first areas of photography that people outside the business tend to fantasize about is boudoir photography. I’ll admit there is a certain high five quality to the first time you get paid to take pictures of scantily clad women. The novelty wears off after the first few and you’ll be surprised how quickly it turns into just another location job. Although I still have to add the scenery is better than any cubicle job!

Boudoir photography is a trend that started 10 minutes after the first camera was invented. Once they figured out the photographic process worked, they started looking for some gal willing to take her clothes off. That’s pretty much the same feeling that’s evoked when a budding photographer gets a new camera. It’s a trend that ebbs and flows in popularity and lately it’s been making a come back.

Resist the temptation to run out and start advertising yourself as a boudoir photographer until you have a lot of experience shooting portraits and a good selection of lighting gear.

Lighting

Like with any other portrait, lighting will be key to getting quality results. The difficulty will be lighting the location, which will likely be outside the studio. If it’s possible, try to get photos of the room you’ll be working ahead of time, so you can adjust your lighting kit appropriately.

Also bring your own extension cords. Older homes may not have enough outlets for all your lighting gear. I use heavy duty cords, a power strip, and gaffer tape to make sure no one trips over them.

The key lighting features will be soft and warm. Soft boxes are a must and it’s good to have a selection of gels you can use to warm them up even more if necessary. I always carry half, quarter, and eighth straw gels because they’re particularly flattering for skin tones. You can also use the gold side of your reflector.

Nudity

I’ve found that some clothing or lingerie can actually be more alluring than being naked, but that will be dictated by your client’s comfort zone.

I encourage people to consider professional nudes when they’re at their youngest and hottest. You’ll be glad to have those shots in a few years after kids and life take a toll on your looks. But not everyone is comfortable with that thought, so let the client find their own comfort level. Sometimes I’ve had clients decide they were comfortable enough to try it after shooting started, so be adaptable.

Any time nudity is involved I have a nudity clause in the contract, get a copy of their photo identification, and give the client greater latitude over image rights. That doesn’t apply to commercial nudes, but boudoir clients are going to want to know their picture isn’t going to be hanging in a gallery somewhere.

Working Alone

I never work alone on boudoir shoots. I’ll almost always have my wife come along and prefer the client have a friend or relative on hand as well. I tend to err on the side of paranoia, but the last situation you ever want to get yourself into is a “he said, she said” about what happened on a boudoir shoot. On the flip side, if there are too many people running around it’s going to kill the mood and make the client nervous.

It’s sometimes requires a little tact and patience to balance the needs of a location shoot with a nervous client. I’ve found it’s actually better sometimes that I leave the room if the client is nervous and let my wife talk to them for a few minutes. When I hear them start laughing, I know it’s okay to get started again.

Just don’t jump into boudoir photography without learning the business first, at least start with some reading on the subject. You and your clients will have a much better experience.

Kodak Hunts For Gallery Buyer

kodak logo
Kodak is seeking a buyer for their online image storage business

Several news outlets are reporting on a story in the Wall Street Journal that Eastman Kodak is seeking a buyer for their Kodak Gallery, the photo sharing arm of their digital camera business.

While this sale will probably be a routine transition for most customers, it does point up that one of the dark sides of online photo sharing sites is that the hosting site controls your images and can use them and transfer them in ways you may not have imagined.

The ability of online image galleries to do that comes from the Terms of Service, or ToS. You should really read those instead of just clicking through. If you do, you may be amazed at how many rights you are actually granting the host company.

Back in July, Twitpic prompted user backlash when they modified their ToS to claim ownership of the images posted there. The old ToS:

“You may not grant permission to photographic agencies, photographic libraries, media organizations, news organizations, entertainment organizations, media libraries, or media agencies to retrieve from Twitpic for distribution, license, or any other use, content you have uploaded to Twitpic.”

In other words, Twitpic said you couldn’t sell your own images! After virulent and vocal push-back from users, Twitpic modified their ToS:

“You retain all ownership rights to Content uploaded to Twitpic. However, by submitting Content to Twitpic, you hereby grant Twitpic a worldwide, non-exclusive, royalty-free, sublicenseable and transferable license to use, reproduce, distribute, prepare derivative works of, display, and perform the Content in connection with the Service and Twitpic’s (and its successors’ and affiliates’) business, including without limitation for promoting and redistributing part or all of the Service (and derivative works thereof) in any media formats and through any media channels.”

Even though you retain ownership, Twitpic reserves the right to sell your images to news agencies.  WENN signed a deal with Twitpics to buy celebrity photos uploaded to the site. Your pictures, their sale. Nice deal, huh?  And that’s nothing compared to what can happen if the company ended up going out of business.

In a bankruptcy sale the situation becomes even more difficult. Then the images in an online image sharing site become just another company asset and the bankruptcy trustee has the ability to modify the terms on which company assets are sold and distributed. So the ToS you clicked through might not offer much protection if the company goes bankrupt. The court and trustee could theoretically grant full ownership to the new buyers as part of the sale.

As far as I know there haven’t been any court cases involving the use of images obtained in a bankruptcy trial, but it’s only a matter of time. That’s why it’s a good idea to read those terms of service and think carefully about the images you store online.

If Kodak doesn’t find a buyer for Gallery and goes out of business, we may get our first test case sooner than most of us realize.

JVC Fields Video/Still Hybrid GC-PX10

JVC GC-PX10
The JVC GC-PX10 offers powerful hybrid functionality - by JVC

It’s hard to tell if the JVC GC-PX10 is a video camera with more convenient still image capability, or a still camera with video on steroids.

Either way JVC has loaded an interesting blend of features at a camera apparently aimed at the advanced consumer segment of the market.

The GC-PX10 features a 12.75-megapixel 1/2.3 BSI-CMOS sensor behind a Konica Minolta HD 19x dynamic zoom lens with optical image stabilization. The advanced chip technology gives it a stated ISO rating of 6,400.

The video features are impressive. Full 1080 HD at 24/30/60p backed up by JVC’s K2 sound system that allows for manual control. On the back it features a 3 inch touch panel tilt monitor.

Linked to the imaging hardware is JVC’s FALCONBIRD high speed imaging engine which is also found on their full HD 3D camcorder, the GS-TD1. The high-end electronics let the GC-PX10 do a lot of neat tricks like record full HD video while simultaneously shooting 12-megapixel stills without interrupting the video.

The most compelling features of the GC-PX10 may be the hybrid shooting capabilities. It can pump out 8.3-megapixel still at a rate of 60 shots per second in 130 shot bursts or 12-megapixel still at 30 shots per second. Impressive.

In VGA mode the GC-PX10 can shoot 300 frames per second for up to two hours. You could record your kid’s entire soccer game in super slow motion.

Prices at $799 the JVC GC-PX10 is an interesting hybrid video camera.

Ricoh GDR Digital IV – No Problems With Availability

Ricoh GR Digital IV
Ricoh GR Digital IV - A very expensive 10-megapixels

It’s an understatement to suggest the Ricoh GR IVs are not exactly flying off the store shelves. Announced last month, the GR Digital IV seems a bit over-priced considering the feature set.

The GR Digital IV starts off with an anemic 10-megapixel, 1/1.7-inch CCD chip behind a 28mm F/1.9 GR lens. Not only a small chip with weak resolution but a dog in low-light as well. Video is limited to VGA.

Some of the redeeming features include the GR Engine IV image processor, the 190-point AF system that includes an external AF sensor, and image sensor shift image stabilization. Ricoh claims the hybrid AF system can focus in as little as 0.2 seconds.

The GDR Digital IV has a built-in electronic level, a feature usually only found in more expensive cameras and a handy addition for a point and shoot.

On the back the GR IV sports Sony’s WhiteMagic LCD screen which delivers greater luminance while drawing less power.

On the software side the GR Digital IV has some interesting tricks that include in-camera dynamic range compensation and it’s one of the few digital cameras to offer multiple exposures, which is accomplishes by layering up to five images together inside the camera. There is also a new Interval Composite mode for taking long, night-time exposures

While the features are interesting and the build quality is impressive, the bottom line is you’re still paying over $740 for a 10-megapixel camera. I’m not entirely certain what Ricoh was thinking here, but the GR Digital IV does not compare well to other cameras in the same price range.

I don’t think availability for this camera is going to be any problem at all this holiday season.

Compared to:

Ricoh GR IV vs Fujifilm X10
Ricoh GR IV vs Olympus XZ-1
Ricoh GR IV vs Ricoh GR Digital III